Evidently a work without the gaze of the spectator does not make much sense. It is the part that closes the circle.
His first works are anatomy studies and portraits in clay, which he later transfers to marble and wood. He exhibits in various group shows in his hometown.Influenced by the artistic scene around the Museo de Arte Abstracto of Cuenca, he soon abandons this training figurative phase and begins a series of works whose main references are Oteliza and Brancusi.
His work, generally included in geometric abstraction, has evolved along with the incorporation of allusions to nature towards more organic forms.